Fragmentation music is a form of experimental music that is characterized by its use of fragments and disjointed elements. This genre of music often involves the creation and manipulation of sound bites, noises, and snippets of musical phrases that are then disassembled and reassembled to create new compositions.
Fragmentation music can be disorienting and complex, creating a sense of chaos and uncertainty in the listener. Some fragmentation music includes elements of improvisation and randomness, allowing the composer to create music that is unique and unpredictable.
This genre of music has its roots in the avant-garde movements of the 20th century, such as musique concrète and serialism. It has since evolved to incorporate a wide range of electronic and digital technologies, allowing composers to manipulate and transform sounds in new and innovative ways.
Fragmentation music is often associated with the works of experimental composers such as Karlheinz Stockhausen, Iannis Xenakis, and Pierre Schaeffer. It has also influenced a number of other genres, including ambient, IDM, and glitch music.
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